^ Johannes Vermeer, The Girl in the Red Hat, ColourLex.ed., Vermeer Studies, in Studies in the History of Art, 55, National Gallery of Art, Washington 1998, pp. ^ Costaras, N., A Study of the Materials and Techniques of Johannes Vermeer, in Gaskell, I.^ Kuhn, H., A Study of the Pigments and the Grounds used by Jan Vermeer, Reports and Studies in the History of Art, National Gallery of Art (Washington, 1968).Archived from the original on 25 October 2011. The National Gallery of Art, Washington, D.C. Journal of Historians of Netherlandish Art. ^ "Experimentation and Innovation in Vermeer's Girl with the Red Hat: New Findings from the National Gallery of Art".The Art Newspaper - International art news and events. ^ a b c "Tests reveal secrets of four Vermeer paintings-including their authenticity-in Washington, DC show"."Terá sido mesmo Vermeer a pintar esta jovem mulher que começou por ser um homem". Liedtke (2007) Dutch paintings in the Metropolitan Museum of Art, p. Vermeer used a mixture of azurite and yellow ochre for the green areas and umber (umbra) for the browns in the wall. The red hat is painted in two layers: the lower layer consists of vermilion mixed with a black pigment, the upper layer is a madder lake glaze. Kuhn was supplemented by a more recent investigation. Mellon Educational and Charitable Trust in Pittsburgh (a holding-place for Mellon's pictures while the National Gallery of Art was being established). Mellon for $290,000, who deeded it on Mato The A.W. Knoedler & Co., New York and London, in November 1925 to Andrew W. After his death it came to his nephew and adopted son, Laurent Atthalin by inheritance to Baron Gaston Laurent-Atthelin and by inheritance to his wife, Baroness Laurent-Atthelin. 28.) by Baron Louis Marie Baptiste Atthalin for 200 French francs. It was bought at a sale at the Hôtel de Bouillon, in Paris on Decem(no. It is thought to have been sold at an auction in Amsterdam on (probably no. 1669, may have been among those owned by Vermeer's patron, Pieter Claesz van Ruijven and possibly, through inheritance it may have been passed on to his wife, Maria de Knuijt who died 1681 her daughter, Magdalena van Ruijven and Magdalena's husband, Jacob Abrahamsz Dissius. Authorship Īccording to the specialized newspaper The Art Newspaper, a multidisciplinary team came to the conclusion that the painting was without a doubt a Vermeer, who probably painted no more than 40 or 50 works over a 22-year career, of which only 35 are known. However, after a study using the latest technology in preparation for a 2022 exhibition, titled Vermeer's Secrets it was ascertained that Vermeer began by painting the portrait of a man wearing a wide-brimmed hat. Her mouth is ajar and her face, slightly pink, receives light from the right, which is unusual in the works of Johannes Vermeer. She looks at the spectator as if she has just turned her head in the direction of a sound, a voice, that has captured her attention. Her hair is up and she wears a pair of dangling earrings. The portrait depicts a very young woman dressed in blue, wearing a collar that appears to be lace and a red hat. However, in recent study carried out by the curators of National Gallery of Art certainty has been established on the authorship of the painting by Vermeer, a conclusion also supported by Dutch experts. Its attribution to Vermeer – as it is on a (recycled) wood panel and not on canvas – has been a matter of controversy with scholars on both sides of the argument. Whether Vermeer chose family members as models or found them elsewhere in Delft is irrelevant to the appreciation of his paintings. It is seen as one of a number of Vermeer's tronies – depictions of models fancifully dressed that were not (as far as is known) intended to be portraits of specific, identifiable subjects. Girl with a Red Hat is a rather small painting, signed by the Dutch painter Johannes Vermeer. National Gallery of Art, Washington, D.C. 1665–1666 painting by Johannes Vermeer Girl with a Red Hat
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